¿Dónde Está My Home? (Where is Mi Hogar)
The Creative Production Team Includes:
PERFORMING ENSEMBLE
Nathalie Bermúdez, Ernesto Luna Camargo, Mόnica A. Cerpa Zúñiga, Liney Cintrόn, Alexander Corona, Jason Estremera, Liz Gonzalez, Dante Fernando Larzabal, Letitia Lopez, Kevin Orozco-Cruz, Gilberto Peña, Magdalena Godinez Ríos, Aida Rivera, Alejandro Rivera, Rafael Rivera, Blanca Salva, Lucia Stone
Date/Time
Date(s) - October 22, 2015 - October 24, 2015
12:00 am
Categories
AN INTERVIEW WITH TPC ON YO SOY LATINO
Check out Raymond Bobgan and members of the Teatro Público de Cleveland ensemble – Blanca Salva, Mόnica A. Cerpa Zúñiga and Jason Estremera discussing Dónde Está My Home with Myra Rosario. The interviews start at 15:48!
ABOUT TEATRO PúBLICO DE CLEVELAND
Teatro Público de Cleveland is a community-based, ensemble theatre group in residence at Cleveland Public Theatre (CPT). Teatro Público ensemble members collaborate with CPT artists to create and perform plays based in the traditions of Latino culture and inspired by the creativity and life experiences of the ensemble.
For more information about the ensemble and production archives, visit www.teatropublico.org.
A short documentary created by ArtsFwd
WHAT DOES “HOME” MEAN TO YOU?
The looks that simply asks… “Will we ever see each other again?”
BLANCA:
“We had this claw foot tub and I used to looove pretending that claw foot tub became an actual lion that came to life while I was in my bath, and I’m this fairy riding this claw foot lion. The bubbles were his hair, you know. But when my mother was being abused and my father would come and beat her, she would make me run to bathroom and hide me underneath the tub because I was so skinny and little. They would hide me underneath that tub. So it was like my sanctuary space. So I went back, the claw tub was gone, they put a regular shower bathroom and I was like ‘It’s goone?! Where would they run to if dad came home?’ and I had to remind myself this isn’t my house anymore, it’s somebody else’s house. So that’s the thing when you go back. You go back with this expectation that when you walk in there you can see and relive these moments… and you go back and see all that’s changed and you’re like, ‘they ruined my memory here.’”